Art history formal analysis Renoir luncheon of the boating party Essay Example for Free

Art history formal analysis Renoir luncheon of the boating party Essay The subject matter of the painting consists of a group of people assembled on an outside deck that has a wooden railing and a red and white striped canopy. The deck is surrounded by marsh grass and some trees with a river visible beyond them. Upon the river a few boats can be seen, one of them a sailboat. In the immediate foreground there’s a square table with a white tablecloth on which rests several empty wine glasses with apparent red wine residue. A few plates are also visible with fluted glasses upon them, discarded morsels of food and silverware can also be seen. A centerpiece dish of fruit composed of Grapes and pears is flanked by several bottles of  red wine. A few discarded white cloth napkins have been casually cast among the dishes. Seated to the left of center at the table in the foreground is a young woman wearing straw hat with a red flowered hat band. She wears a fine black dress with white lace edging at the neck and cuffs, a dark red scarf draped over neck and down the front of the dress. She wears a black choker around her neck. She’s holding a small brown furred dog close to her face from under its forelegs the dog sits upright upon the table facing her. Behind her to the left standing and leaning with his backside against the wooden railing of the deck, his right arm gripping the railing stands a large man, his face in profile as he looks to the right and slightly back. He wears a dome shaped straw hat with the brim curved upwards its edge trimmed in blue. He has close cropped reddish brown hair and has a full beard and mustache of the same color. He wears a white tank top shirt and white pants. To his right along the railing several feet behind the foreground table stands a woman bent forward, her left arm and right elbow resting upon the railing as she faces the table. She wears a straw hat with a blue hat band the brim curved down. Her dresses is off white and trimmed in red that the neck and cuffs. Facing her with his back to the table sits a man wearing a brown suit and a brown and bowler hat. Behind the woman at the railing at the far left corner of the deck facing forward stands a man wearing a brown jacket with a light blue shirt wearing a cap. Facing him standing with his back to the viewer facing left is a man wearing a black overcoat and a black top hat with a beard. In the right foreground seated facing the table on a wooden chair that is turned backward is a man who looks left toward the railing of the deck, his face in profile. He faces the woman seated opposite him who holds the dog. He is wearing a straw hat with a flat top and black hatband its brim turned up at the back. He has brown hair and a light brown short mustache. He wears a white tank top shirt and dark colored pants. His arms rest forward on the reversed chair back; in his right hand he holds a cigarette. To his right seated at the table is a woman wearing a white brimless hat with a few blue stripes. Her dress is blue with white ruffles trimmed in red at the neck and white cuffs. Her hair is brown a small round earring can be seen hanging from her right ear as she looks up and to the  right. Standing behind her over her left shoulder is a man wearing a cream colored jacket with wispy blue stripes. He wears a white shirt and a black cravat. His hair falls over his forehead and is reddish brown. He has a small mustache and a goatee beard. He is leaning over the woman’s shoulder with his hand resting on the back of her chair, looking down at her. Behind him in the background over his left shoulder is a woman standing facing left, with black gloved hands raised to the sides of her face. She wears an ornate black hat with feathers and a black dress. Standing next to her with his arm around her is a man with a straw hat with a red hat band, wearing a red and white striped shirt. He faces forward looking at her intently. To his right stands another man facing the woman he has his arm around. This man has a full beard and wears a black hat. Behind him seated at the back table is a woman in a flowered straw hat who is drinking from a glass, she looks directly out of the picture plane past the table in the foreground at the viewer. A man seated to her left is barely visible in profile and past the shoulder of the man in the cream colored jacket. The entire scene is brightly lit with ambient light from the open sides of the porch the majority of which were enters from the front left of the picture plane. The white tablecloth on the table in the foreground glows with reflected light and the glasses and bottles on the table twinkle in the light. Part IV – Examination of the Art Objects Medium/Technique/Process Used: The medium used is this painting by Renoir is oil on canvas. The work was painted en plein air (outside) utilizing the alla prima (wet on wet) technique and also the classical layering technique of oil painting employed by the old masters. In these processes the first step would require the preparation of a surface on which to apply the oil paint. A linen canvas would be stretched around a wooden frame and tacked into place. The surface of the canvas would then be protected from the acidic qualities of the oil paint by applying layers of rabbit skin glue and chalk known as a ground. Next a primer of white lead paint or glue mixed with chalk â€Å"gesso† is added to provide a base layer for the painting. A rough outline of the scene would then be sketched onto the canvas as a guide for painting. Next the creation of a palette from which to paint from would require selecting the proper pigments. (Eastlake pg.234) For the portions of this work that were painted en plein air in the alla prima technique in the Impressionist style such as the tableware in the foreground Renoir would have used portable tubes of pigmented paint. Other portions that were executed in his studio employed classical oil painting techniques of layering colors and then glazing which creates a lustrous glow and provides the three dimensional quality of modeling. This technique is evident in the modeling of the forearm and the hand holding the cigarette of the man seated at the table in the right foreground. Colors would then be applied to their proper regions according to the sketch starting with the darkest and ending with the lightest, a mosaic upon which the details and highlights could then be painted. Finally upon completion the painting would be sealed with a varnish to protect its surface. (Sanders pg.11) Part V Examination of the Art Objects Composition (its Form Organization): 1. Identify and describe a specific incidence of composition from the list found below: A. Line: Renoir uses a sharp clean line to define the arm of the man seated at the table in the right foreground. The precise outline of the arm adds to the contrast of color between the arm and the man’s white shirt, the white tablecloth, and chair adding perceived depth to the shape of the arm. In contrast Renoir’s use of line in creating the marsh grasses outside the balcony is loose and diffused, giving the grass a perceived movement and depth. B. Shape: The semi circular shape of the awnings scalloped edge is distorted into curving points giving the illusion that the awning is swaying in the breeze adding a sense of movement to the air that is picked up by the grasses beyond it. C. Space: The open space left of center, framed by the two men in white tank tops allows for an unobstructed view of the landscape beyond providing perspective and contrasts the densely populated right side of the picture adding to the intimacy of the assembled group. This open space also directs the viewer gaze to the centerpiece of the table which is the symbolic heart of this painting. D. Color: Applications red are spread about the painting accenting the amorous qualities of the subjects depicted. Most evident in the women in varying profusion and intensity, the color red highlights the garments at the cuffs and necks, in the flowers they wear on their hats, and on their lips. Although more subtle, accents of red are present on the men as blushes to their face or on their lips. The most overtly amorous male in the right to the back wears a shirt and hat both striped with red. The most overtly sexual female seated, at the table in the left foreground has red tracing her neck and an explosion of red in the flower on her hat. Finally the red striped awning with its tong like flaps covers the entire flirtatious scene. E. Texture: Renoir employs variations in color, shadowing, and white highlights to render the textural appearance of the straw hat worn by the man seated at the table in the right foreground. F. Pattern: The diffused lines of blue/green create a layered pattern in the marsh grasses outside the porch rendering the effect of overlapping leaves with combined density. G. Time and Motion: The motion in this painting is imparted by the marsh grasses and awning gently swaying in the breeze. The aspect of time slowly passing is expressed through the sailboats gliding along the river and in the leisurely poses of the subjects along the railing. 2. At the end of this set of paragraphs identify any art elements you think is not found or used in the art objects composition.

Maxwell the Hero in Freak The Mighty Essay example -- Rodman Philbrick

In today's society there are lots of people that believe that dumb people can not accomplish anything in there whole life. From the book Freak the Mighty this point is proven wrong. Max and Kevin, are the two most important characters in Freak the Mighty, they can both be described as dynamic characters. Each of them goes through major changes that are revealed through their actions, and by what the author says about them. Maxwell embodies the archetype of the hero's journey. I will discuss this issue using the fact that he has a birth, a calling/journey, and a return. Maxwell has a birth from the archetype of the hero?s journey. Maxwell was born in Chivalry, Montana where his parents lived. At the age of four he saw his dad murder his mom and run away. From that day on, Maxwell lived with his grandparents. His grandparents always hated him and he was never loved since they saw him as the murderer?s son. So, Maxwell grew up alone and he lived in the basement of his grandparent?s home. His dad?s name was Killer Kane and he was told by everyone that both of his parents were dead. Although Maxwell lived with his grandparents he had no knowledge at all, he was very dumb, had no knowledge about anything, and he was really huge. Since everyone heard about his father Killer Kane, when Maxwell went to his school everyone thought he was mean just like his father but in reality he wouldn?t hurt a fly. Maxwell was also frequently sent to the principles office for not listening to the teacher when she was talking and for never paying attention. Maxwell has a calling/journey from the archetype of the hero?s journey. His calling was when he saw Freak all ways doing his work and never paying attention to anyone else accep... ...er saving his own and Iggy Lee?s life, Killer Kane was arrested. Maxwell has a return from the archetype of the hero?s journey. Maxwell returns by saving Iggy Lee?s life and his own. Maxwell gets all his love from his grandparents, because now they believe that he is not like his dad (Killer Kane). When Maxwell returns, his best friend was about to die, because his organs were getting to big for his body, but while he was dieing he gives Maxwell a empty book saying, ?Max please write all the adventures and everything we have done together, this will make me feel better?. So, Maxwell is a hero by doing many things for many people. He saved a person that got him kidnapped (Iggy Lee), he saved his best friend from many strangers (Kevin), and he achieved something in his life. So, from all the things he has done, I believe that Maxwell is a true hero.

Michael Moore Capitailism a Love Story Review Essay

The film Capitalism: A Love Story is a documentary by Michael Moore which outlines the negative effects capitalism has on modern society. Moore points out that capitalism gives people the opportunity to make a lot of money and to have a high standard of living. However, for many workers, making an income to support a family can be quite impossible. At one time, you could find a secure job and live a good life, but capitalism has evolved into a system of greed where only the rich get richer, and the middle class get poorer with no chance to better themselves. This review will analyze the positive and negative impacts of capitalism shown in the film, as well as provide my comments as to why I enjoyed the film. Capitalism gives us the freedom to do what we want and to make what we want of ourselves. It gives one the opportunity to work as much or as little as one wants, and to have the ability to make more money than others. At one time, if you worked hard, you could make a lot of money, and you could purchase a house, cars and many material possessions for yourself and your family. One could argue that even today, with a good education and a secure job, one could enjoy the benefits of a good life. Thus, corporations provided jobs, infrastructure and security for its employees and subcontractors. However, corporations have evolved and will continue to evolve. In some cases, modern companies have evolved positively where they can profit and, at the same time, treat all employees including CEOs fairly. Some such businesses are run democratically by all the workers, who also own the company, because they have an equal say and vote in the running of the operation. These worker-owned companies, such as the bread company in California, provide a good income for all their workers. The employees share equally in the profits, and profit sharing is not dependent on the position one holds. One owner commented that the more hours one works toward the benefit of the company, the more one shares in the profit. Detrimentally, many corporations have evolved negatively where the CEOs are only concerned about filling their own personal pockets with increasing profits and not caring at all about the well-being of their employees. Michael Moore eagerly points out the negative impacts capitalism has on society. Capitalism no longer provides people with the long-term sustainability needed to support themselves and their families. A good example of this is when Moore speaks out about his hometown of Flint, Michigan, and the GM plant where most of the citizens worked. When the automotive company shut down, the workers lost their jobs, and they had nowhere to turn for money. Moore alluded the reason the plant shut down was for the CEOs’ benefit because they were trying to make more profit, while not giving a second thought for the welfare of the people of Flint. As a result, many families lost their homes, and Flint became an abandoned city. Capitalism does not care about the average person because it is a system where corporations compete for higher profits and more benefits for the rich CEOs. If the GM plant in Flint was planning to close, and there was any regard for its employees, why was there no effort made to retrain employees with skills needed for other jobs so that they could continue to support their families and debts? In fact, CEOs of large corporations lobby and influence government policies to permit special tax cuts and bonuses allowing corporate officials to make more money, and in return, greedy government officials also benefit by receiving corporate favours and benefits. Thus, Wall Street and government officials help fill each other’s bank accounts.

Analysis Of The Novel Light Of August By William Faulkner

Spring Author Report: Joe Christmas William Faulkner s novel, Light in August, is set in his fictional town of Yoknapatawpha County, depicting the rural South in the early 1900’s. It is a novel about humanity where Faulkner uses his characters to establish the necessity for human connection. Joe Christmas, the main character, experiences a tragic journey toward self-identity. Faulkner uses the character of Joe Christmas to expose how conflict with society and oneself unchains a darkness. Joe Christmas is alienated from a young age after being dumped at an orphanage, where his unknown racial identity begins an inner turmoil. Joe is left in an orphanage with no sense of identity, and ignorant of his mixed ancestry. While in the†¦show more content†¦After leaving the orphanage, Christmas is thrown into a disturbed family that is void of connection and love. The family environment he is exposed to is one of fear and cruelty. He gains no acceptance on account of religious values. When Joe sins by lying to his father about what he did with the money he gained from selling a cow â€Å"[Mr. McEachern strikes] Joe with his fist† (Faulkner 164). Mr. McEachern beats Joe for sinning - lying - and uses religion as a justification of abuse, thus creating Christmas’s warped view of religion. This complex relationship with religion places Joe in conflict with the societal norm. In his critical essay on Light in August, B. R. McElderry Jr.t analyzes the role of religion in the novel, highlighting how it leads to the brutalities in the novel. Christmas is exposed to â€Å"a religion of dynamic hatred, intolerance, and frustration† (Gale McElderry). Mr. McEachern provides Joe Christmas with a religious outlook that is the antithesis of religion. This fuels Joe’s conflict with society by placing him in further isolation from the town. Christmas forges his first connection with a young prostitute named Bobbie Allen, where his first instance of violence is seen. He begins having sexual relations with her, and soon tells her that he â€Å"thinks [he has] some nigger blood in [him]† (Faulkner 196). She is the only person Christmas has a remotely personalShow MoreRelatedEssay on Modernism and New Criticism2997 Words   |  12 Pagesthrown out all their old traditions. It was now time to concentrate on the present. New Criticism directly reflects this new way of thinking by finding the meaning of literary texts based on the texts themselves. You look at what is- the poem, the novel- and find what it means. In Lois Tyson’s book, Critical Theory Today, he constructs one question to define New Criticism: â€Å"What single interpretation of the text best establishes its organic unity?† (134). 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